Willem Van de Velde The Younger
(bapt. 18 December 1633 - 6 April 1707) was a Dutch marine painter.
Willem van de Velde was baptised on 18 December 1633 in Leiden, Holland, Dutch Republic.
A son of Willem van de Velde the Elder, also a painter of sea-pieces, Willem van de Velde, the younger, was instructed by his father, and afterwards by Simon de Vlieger, a marine painter of repute at the time, and had achieved great celebrity by his art before he came to London. In 1673 he moved to England, where he was engaged by Charles II, at a salary of £100, to aid his father in "taking and making draughts of sea-fights", his part of the work being to reproduce in color the drawings of the elder van de Velde. He was also patronized by the Duke of York and by various members of the nobility.
He died on 6 April 1707 in London, England. Related Paintings of Willem Van de Velde The Younger :. | The Taking of the English Flagship the Royal Prince | Seascape with Dutch men-of-war. | The Capture of the Royal Prince, 13 June 1666 | English Warship Firing a Salute | Gouden Leeuw | Related Artists: Leonaert Bramer (24 December 1596 - 10 February 1674 (buried)) was a Dutch painter, best known for probably being one of the teachers of Johannes Vermeer, although there is no similarity between their work. Bramer's dark and exotic style is unlike Vermeer's style. Bramer was primarily a genre and history painter, but also made some unique frescos, not very often found north of the Alps. Leonaert Bramer is one of the most intriguing personalities in seventeenth-century Dutch art. He was a talented and diligent draughtsman, evidently Roman Catholic and a lifelong bachelor.
Bramer was born in Delft. In 1614, at the age of 18, he left on a long trip eventually reaching Rome in 1616, via Atrecht, Amiens, Paris, Aix (February 1616), Marseille, Genoa, and Livorno. In Rome he was one of the founders of the Bentvueghels group of Northern artists. He lived with Wouter Crabeth and got into a fight with Claude Lorraine. He dedicated a poem to Wybrand de Geest. Bramer remained on and off in Rome until October 1627, visiting Mantua and Venice, often for deliveries and to meet Domenico Fetti. In Italy Bramer was nicknamed Leonardo della Notte ("Leonardo of the night"). In 1648 he went to Rome for a second time.
By 1628 he was back in Delft, where he joined the Guild of Saint Luke in 1629 and the schutterij. Among his many patrons were members of the House of Orange, but local burgomasters and schepen also bought his paintings in great numbers.[3] He was a many sided artist, designing for tapestry firms in Delft, painting murals and ceilings, some of which are illusionistic in style. He painted real frescos in the Civic Guard house, the nearby stadholder's palaces in Honselersdijk, Rijswijk, the Communal Land Housde and the Prinsenhof in Delft.[3] Due to the Dutch climate they no longer survive.
He evidently knew the greatest of his Delft contemporaries, Johannes Vermeer, as he came to the latter's defence when his future mother-in-law was trying to prevent him from marrying her daughter.
Michiel CocxieFlemish Raphael , b. Mechlin, 1499- d. 1592 Vilh Marstrandpainted Kaptajnløjtnant Osvald Marstrand in 1850
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